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For almost as long as there have been car audio enthusiasts, they have been adding amplifiers to their vehicles to increase the power available to drive their speakers. More power means we can turn the volume up higher without distortion. When it came to connecting amplifiers to speakers, the first power boosters connected to the speaker wires of the radio. Now, modern head units offer dedicated RCA preamp outputs to make things easier.

Manufacturers specify how much voltage their source units can produce on these preamp outputs. Most radios offer at least 2 volts of signal, but some offer 4 volt, 5 volt or even 8 volts. Does this preamp voltage matter? Does more voltage make your system louder? Read on to find out.

Signal Chain

When we install an aftermarket radio in your dash and connect it to the amplifier, we have to make at least one adjustment to ensure everything will work properly. We refer to this step as “setting the gains.” This procedure involves matching the output voltage limit of the source unit with power production capabilities of the amplifier to ensure that both achieve maximum output when the volume is cranked all the way up.

Adjusting an amplifier’s sensitivity is, in theory, a simple process. That said, there are many things to take into consideration. How loud is the source material recorded? Does the head unit distort at full volume? Has anyone adjusted the radio’s tone controls or equalizer? Does the amplifier have any tone controls? If any one of these criteria are overlooked, the sensitivity adjustment may not be accurate.

What is the drawback to an improperly configured sensitivity control? If it is set too low, then you cannot get all the power available from the amplifier to your speakers. If the sensitivity control is set too high, then you can easily distort the output of the amplifier. A second side effect of adjusting the sensitivity control too high is that you increase the noise produced by the amplifier. Nobody wants to hear a hiss in the background of their music, so setting things properly is critical.

What Does High Preamp Voltage Do?

Some intensive research among several of us “old” car audio enthusiasts revealed that there were even a few twin-shaft cassette receivers with high-voltage preamp outputs. Some sales and marketing folks decided that more voltage meant more volume. In the early ’90s, several head unit manufacturers started marketing their radios as having voltage preamp outputs. If nothing else changed, sure – in theory, more voltage means more output. That said, if you swap from a 2 V source unit to a 4 V, and then readjust the sensitivity control on your amplifier down to compensate for the extra voltage, the maximum output level should stay the same.

If more voltage does not make your system louder, what is the benefit of this extra voltage? The answer is a reduction in gain of the amplifier and, thus, a reduction in potential noise. If your amplifier is set up to produce full power with a 2 volt signal and has a subsequent signal to noise ratio of 85 dB, then it is not unreasonable to expect that the noise would reduce by about 3 dB when we turn the sensitivity down by the same amount.

To the Test

We set up a premium consumer-grade amplifier on the lab test bench. It had an S/N Ratio specification of 89 dB when producing 1 watt of output and connected to a 4 ohm load. This is a pretty good rating these days. We set the amp up to produce 1 volt of output with a 1 kHz sine wave at a reference level for our function generator at -30 dB relative to full signal. We then took a long frequency response measurement.

The next step was to reduce the output signal of the function generator by an arbitrary amount – we chose 6 dB. We readjusted the sensitivity control of the amplifier so the output level was once again 1 volt and took another long frequency response measurement.

The results of the two measurements are shown in Figure 1.

In Figure 1, you can see the large spike in frequency at 1 kHz on the right side of the screen. We zoomed in to fill the screen with as much information as possible below this frequency. The gold line shows the background noise produced by the amplifier with the sensitivity control at the lower of the two settings. The green line shows the background noise when we increased the sensitivity of the amplifier by 6 dB.

Figure 2 shows the difference in noise level at 100 Hz. Not surprisingly, the difference in noise is just under 6 dB.

Conclusion

When it’s time to go shopping for a new source unit, among the dozens of cool connectivity features, options for display technologies and different brand names, paying attention to specifications is still important. If you are planning to add an amplifier to your mobile electronics system, make sure your source unit can produce at 4 volts of output on the preamps. This extra voltage will allow your installer to reduce both the sensitivity controls on your amplifier and the background noise level of the system.

Visit your local mobile electronics specialist retailer today for more information on which source units have high-voltage preamp outputs.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

For decades, automobile manufacturers have installed relatively large rear speakers in their vehicles. The stereotype of a set of 6×9 speakers sitting on the parcel shelf of a Monte Carlo is as “car audio” as it gets. As the industry has evolved, the importance of rear speakers has diminished. Are rear speakers necessary? Do they offer a benefit? Are we just holding on to a bad habit? Read on to explore more about rear speakers.

Why are They So Big?

Automakers used to take advantage of the opportunity to put speakers in the rear of their vehicles because those speakers could be larger that the ones in the front of the vehicle. Consider a third-generation Camaro or Firebird. They had a set of 4×6 speakers on the dash and a set of 6×9 speakers in the rear sides. Likewise, a fourth-generation Monte Carlo had 3-1/2-inch speakers in the dash and 4×10-inch speakers on the skinny little rear deck.

In most cases, a speaker with more cone area will play louder for a given amount of power. Larger speakers are capable of producing more bass. We recently saw a factory audio system with a 9-inch door speaker, and 6x9s in a pickup truck and SUV doors are very common.

What is Our Goal?

The trend in the last decade for both factory and aftermarket car audio systems has been to recreate a live performance as realistically as possible. This shift in design has introduced us to the need for proper speaker placement and the use of larger speakers in the front of the vehicle. The use of digital signal processors to set up crossovers, signal delay and equalization for each speaker location has further improved on our ability to create what is known as a soundstage in our vehicles.

A soundstage refers to a perceived source location for our music. In a perfect world, our music would appear to come from far out in front of us and provide a good sense of width and depth, excellent focus, and realistic ambiance – just like a live performance. Automobile manufacturers have to balance cosmetic design versus optimum speaker placement, and speaker placement often loses the fight.

What is Your Goal?

How do you like to enjoy your music? Do you attend live performances? Do you listen to a two-channel system at home? Do you usually use headphones? Are you into surround sound? Your answers to these questions can help your car audio specialist retailer design a system that will sound the way you want.

If you like live performances and two-channel audio, then it’s most likely that you would enjoy a system with a soundstage that is out on the dash of the vehicle. In this application, rear speakers are not very important, and in most cases, the money saved by not purchasing and installing rear speakers at all will allow you to buy better front speakers.

If you listen to headphones, then you may want the sound from your system to wrap around you evenly. You may enjoy a system that makes you feel as if you are in the middle of the sound. An equal amount of sound will come from in front of you as behind you. In a system like this, using similar or even identical speakers in the front and back can help produce great results.

If you watch a lot of movies in surround sound, then you need to work with your retailer to decide what is right for you. In movies, the side and rear channels are usually reserved for special effects and ambiance. You may want to go without rear speakers in a mobile audio system. Very few sources include surround information, and currently there are no aftermarket surround sound reproduction solutions, although some are coming.

Are You a Purist?

In pure, raw technical terms, you want as few speakers in your system as possible. Additional sources of sound can result in interference patterns called comb filtering. An ideal system would offer full-range left and right signals, and – because we typically can’t use large speakers in our doors – a subwoofer to fill in the bottom few octaves.

The placement of the speakers can have a dramatic effect on the sound of the system. From a perspective of tonal accuracy, having the midrange speakers in the doors works well. This location typically produces a very wide soundstage. A door location does not often result in a soundstage that appears to emanate from far out in front of you. To achieve that, you may need to use a smaller midrange speaker with a tweeter in a dash or A-pillar location.

When possible, try to ensure that tweeters are mounted within 20 degrees of being on-axis to the listening position.

Who’s Back There?

Another consideration for rear speakers is whether you have passengers in the rear of the vehicle. If you have children or friends in the back, then it would serve them well to have speakers to enjoy. Yes, they will be able to hear the dash or front door speakers, but not as clearly as if they had something close by. It would not be unreasonable to design an audio system that allowed you to turn the rear speakers on and off, depending on your needs.

Rear Speakers as Rear Fill

For systems designed with a focus on the front soundstage, rear speakers are often operated at a much lower relative level than the front. Some people call this technique “rear fill.” The intent is to provide a sense of spaciousness to the listening environment. Employing rear fill speakers splits the divide between systems with or without rear speakers. The relative level of these speakers is critical. Too much can start to pull the soundstage rearward.

There is no right or wrong when it comes to a preference for the location of your soundstage. Whatever you enjoy is the right choice. Your local mobile electronics specialist retailer can work with you to design a system that sounds the way you enjoy. Drop in today and ask if they have a demo vehicle that you can audition. That’s a great way to decide what solution is best for you.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

If you are a mobile electronics enthusiast like we are, then it’s quite possible that you enjoy reading product specifications. You can learn a lot about the design and application of a product from the specs. Amplifier power ratings are probably the most popular specs, but there are a lot more. One product specification that tends to confuse people more than help them is speaker efficiency. This article explains what the numbers mean and how you should analyze the appropriateness of subwoofer specifications, one subwoofer to another.

Speaker Efficiency

In a nutshell, the efficiency specification attempts to quantify how much sound a speaker will produce when provided with a given amount of power. Manufacturers provide the specification in two common methods. The most common are decibels of output when fed with 1 watt of power and measured at 1 meter from the speaker, written as 1 W/1 m. The other specification method involves replacing the 1 watt power measurement with 2.83 volts. For a 4 ohm car audio speaker, 2.83 volts works out to 2 watts of power or 4 watts into a 2 ohm speaker. Make sure to take the impedance of the speaker into consideration with the latter format.

For a subwoofer, we derive this efficiency number with a formula that includes the driver’s resonant frequency, equivalent suspension compliance and driver’s electrical Q. In reality, the resulting number is purely theoretical and applies most directly to output in the frequency range above where most subwoofers play. There is the heart of the matter: The efficiency specification doesn’t describe how loud the subwoofer is at low frequencies. The only way to predict and compare performance is to model the behavior of the driver in simulation software.

Frequency Response Simulation

Let’s compare two 10-inch speakers. For sample A, we will use a very high-quality car audio subwoofer. Since we want to make this example somewhat extreme, we will use a 10-inch pro audio woofer as Sample B in our comparison. We will use BassBox Pro 6 to make the comparisons.

Sample A has a calculated efficiency of 93.21 dB when driven with 2.83 V. Sample B has an efficiency of 95.07 dB. Without modeling the low-frequency behavior of the driver, you’d happily think that Sample B was the louder of the two by 1.86 dB.

We modeled each driver in a sealed enclosure with a volume that provides a total system Q (Qtc) of 0.707. The car audio subwoofer is in 0.694 cubic feet, and Sample B is in 0.378 cubic feet net.

As you can see from the graph, the output of the two woofers varies dramatically. Sample A is louder at 40 Hz by an impressive 4.95 dB. That is contradictory to the efficiency specification, isn’t it? It is, however, not wrong.

Subwoofer Specifications

When an engineer designs a speaker, the first thing to decide is the application. Will this be a high-SPL car audio speaker, or a pro-sound speaker? The differences make a great deal of difference.

Our sample subwoofers also have dramatically different excursion capabilities. Sample A has an Xmax of 17.6 mm and Sample B has an Xmax of only 4 mm. It is worth noting and reminding everyone that cone excursion quadruples for every halving of frequency. If these speakers were given enough power to play 100 dB at 80 Hz with an excursion of 1 mm, then they would need to move 4 mm at 40 Hz. At 20 Hz, they would need to move 16 mm. An excursion requirement of 16 mm is no problem for Sample A, but will likely rip Sample B to shreds.

Comparing the output of two drivers requires that we ensure the driver can handle the excursion requirements necessary to meet our needs.

In the case of our subwoofer simulations, due to excursion limits, Sample B can produce a maximum output of only 94.9 dB at 40 Hz. Sample A can produce 108.3 dB at the same frequency. That is a difference of 13.4 dB. This difference is significant. Sample B simply cannot produce 100 dB of output at 40 Hz in this enclosure. Thus, Sample B not a suitable choice for a subwoofer, which makes sense, since it was designed to be a bass guitar speaker.

Choosing the Right Subwoofer

Unless you own speaker-modeling software and know how to use it, it can be tricky to determine the performance of one subwoofer versus another. Even more difficult is attempting to predict how one sounds when compared to another. Frequency response is just one of the many criteria that differentiate one subwoofer from another. Excursion capabilities, enclosure requirements, distortion characteristics and – of course – cost are all factors to be considered.

Many people think that just because it is harder to hear distortion at low frequencies, the design of a subwoofer matters less than that of a midrange speaker. You would be stunned at how a good subwoofer can bring out details in your music that you may have never heard before.

When it is time to go subwoofer shopping, visit your local mobile electronics specialist retailer. Discuss your needs with them and work with them to find a subwoofer solution that fits your application. You will be happy that you did.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.